I had all sorts of plans to work in the yard today, but it's raining steadily, so I'm pivoting and having a writing day. I'm working on a sequel to Monk With the Steel-Toed Boots. They're both murder mysteries, the first being set in a Buddhist meditation retreat in the Ontario woods, modelled after the Huong Hai Zen Forest, where I attended a 3-day retreat (the last day done in complete silence. I highly recommend it to anyone!). That book can be found here:
I enjoyed working with the main character, Gor Manookian, an Armenian-Canadian Detective Inspector, so I'm bringing him back in the sequel, Tiny Little Murder. This one is set in a Tiny House community, and I'm drawing on a friend's experience, since I don't have any direct experience living in a Tiny House. She built her own little house on wheels and has lived in it on a farm with her two kids for 3-4 years, so I turn to her when I have questions. There is something very satisfying about curling up with the laptop (by the fireplace in winter or on the backyard picnic table in summer) and documenting what my imagination comes up with. With coconut cookies on hand, of course.
Once I wrote the same book three times, keeping the same characters but swapping around who was the murderer and who was the victim, with, of course, different motives. It was a great exercise, and I kept the last version as it turned out best. I have heard other writers describe how they outline and plot beforehand, and I should probably try it sometime, but usually I just get a "movie" in my head and just take dictation. I don't know in advance how it will end any more than the reader does! I'll research stuff as it arises during the process, but there isn't much work before the actual writing begins.
Because my writing is indeed kind of like watching a movie in my head, there does tend to be a lot of dialogue. I think sometimes my plots are moved forward too much by dialogue. I am practising advancing the plot through action as much as talk. We'll see how Tiny Little Murder turns out.
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